Why I love it: When the LA Times said this about MARA DYER, I almost fainted. Because I love Carrie very much--so much there's even a reference to it on p. 194 the book. I love everything by Stephen King, so playing favorites with his novels is nearly impossible, but I can say that there is something particularly appealing--and disturbing--about Carrie to me. I first read the book when I was in high school; maybe that's part of why it resonated so fiercely. In King's introduction to the book, he discusses the two real teenage girls who helped inspire Carrie White, and of them he says: "...[T]here was something else, as well. Something that broadcast STRANGE! NOT LIKE US! KEEP AWAY! on a wavelength only other kids can pick up. It is like a pirate radio station of the heart. I can no longer pick up on that wavelength, but I can remember it very well."
The excerpt:
"News item from the Westover (Me.) weekly Enterprise, August 19, 1966:
RAIN OF STONES REPORTED
It was reliably reported by several persons that a rain of stones fell from a clear blue sky on Carlin Street in the town of Chamberlain on August 17th. The stones fell principally on the home of Mrs. Margaret White, damaging the roof extensively and ruining two gutters and a downspout valued at approximately $25. Mrs. White, a widow, lives with her three-year-old daughter, Carietta.
Mrs. White could not be reached for comment.
(Now that's a first paragraph).
Next up:
Why I love it: The novel begins like a romantic drama, and then gut-punches you with WTFery. To say the book is extremely disturbing is an understatement, but the build-up is so masterfully subtle that you don't realize you've been holding your breath until it's all over.
The excerpt:
"Aoyama's palms were moist with perspiration. He was surreptitiously wiping them on his trousers when something very strange occurred. A young man in a wheelchair had entered the cafe, accompanied by an older woman who was probably his mother. They were laughing about something. Still smiling, the youth turned his head slightly, and his eyes widened as they locked on Yamasaki Asami. The smile froze, the blood drained from his face, and he made as if to rise up from his wheelchair. Seeing his distress, the woman leaned over and asked him, presumably, what was wrong, but he merely shook his head. Averting his gaze and hunching his shoulders as if cowering, he wheeled himself on toward the far end of the room. There was no change whatsoever in Yamasaki Asami's expression as she watched this peculiar little scene play out."
Bonus: Gender role subversion. Saying anything more will spoil it for you.
(Note: this one is very, VERY adult--by YA standards, I would say there's graphic sex and violence. By adult standards, I'd call it...intense).
Why I love it: I've been fascinated by plagues for a long time (I am weird. This should not be news) and in this lyrical and gripping novel, a government experiment gone wrong unleashes a plague of vampirism. The 786 page book is so taut that I finished it within a day. I think THE TWELVE (the sequel) is my most eagerly anticipated novel of 2012.
The excerpt:
“Something was wrong with Subject Zero.
For six days straight he hadn’t come out of the corner, not even to feed. He just kind of hung there, like some kind of giant insect. Grey could see him on the infrared, a glowing blob in the shadows. From time to time, he’d change positions, a few feet to the left or right, but that was it, and Grey had never seen him actually do this. Grey would just lift his face from the monitor, or leave the containment to get a cup of coffee or sneak a smoke in the break room, and by the time he looked again, he’d find Zero hanging someplace else.”
Why I love it: See e.g the previous fascination with plagues? It all started with a 1995 Newsweek article about Ebola. Then
The excerpt:
"The seats are narrow and jammed together on these commuter airplanes, and you notice everything that is happening inside the cabin. The cabin is tightly closed, and the air recirculates. If there are any smells in the air, you perceive them. You would not have been able to ignore the man who was getting sick. He hunches over in his seat. There is something wrong with him, but you can't tell exactly what is happening.
He is holding an airsickness bag over his mouth. He coughs a deep cough and regurgitates something into the bag. The bag swells up. Perhaps he glances around, and then you see that his lips are smeared with something slippery and red, mixed with black specks, as if he has been chewing coffee grounds. His eyes are the color of rubies, and his face is an expressionless mass of bruises. The red spots, which a few days before had started out as starlike speckles, have expanded and merged into huge, spontaneous purple shadows: his whole head is turning black-and-blue. The muscles of his face droop. The connective tissue in his face is dissolving, and his face appears to hang from the underlying bone, as if the face is detaching itself from the skull. He opens his mouth and gasps into the bag, and the vomiting goes on endlessly. It will not stop, and he keeps bringing up liquid, long after his stomach should have been empty. The airsickness bag fills up to the brim with a substance known as the vomito negro, or the black vomit. The black vomit is not really black; it is a speckled liquid of two colors, black and red, a stew of tarry granules mixed with fresh red arterial blood. It is hemorrhage, and it smells like a slaughterhouse. The black vomit is loaded with virus. It is highly infective, lethally hot, a liquid that would scare the daylights out of a military biohazard specialist. The smell of the vomito negro fills the passenger cabin. The airsickness bag is brimming with black vomit, so Monet closes the bag and rolls up the top. The bag is bulging and softening, threatening to leak, and he hands it to a flight attendant."
(Note: That is from page fourteen. This book has the most intense first chapter ever.)
Bonus: This is non-fiction, and that makes it the most terrifying thing I've ever read.
So there you have it--some of my most favorite frightening reads. In the YA realm, I recommend:
ASHES by Ilsa Bick (which I discuss here)
CRYER'S CROSS by Lisa McMann
I AM NOT A SERIAL KILLER by Dan Wells
What are some of your favorites? Are you going trick or treating tonight? Are you bringing Timmy?















